NOISE UNTAMED. FREQUENCIES UNBOUND.

A person playing an acoustic guitar in a recording studio with a microphone set up in front of the guitar.

Between hymn and howl, there pulses a vibration older than language—a sound that predates gods. Occult Audio channels these raw signals: unfiltered, unrepentant, crackling with the heat of intent. Synthesized chaos or silence split open, our work is not for passive ears. This is noise that remembers its teeth. That still drips with sacrament.

Listen deeper. Listen dangerously.

A man in a suit and glasses stands with his hands in his pockets in front of a step and repeat backdrop featuring various logos and event branding.

SOUND AS SORCERY.

At Occult Audio, we don’t just design sound—we conjure it. Our work for film, television, and games is a fusion of electric chaos and sacred signal, crafting immersive soundscapes that don’t just accompany visuals, but possess *them. Every project is a ritual: a deliberate distortion of the ordinary into something alive, feral, and unforgettable.

But sound this potent shouldn’t be hoarded. Through courses and resources, we arm the next generation of audio sorcerers—sound designers, composers, and sonic insurgents—with the tools to warp reality themselves. Consider this an invitation: step into the fray. Redefine what sound can* do. What it can become.

The future of audio isn’t just immersive. It’s dangerous.

— James | Founder, Occult Audio